{"product_id":"steinmetz-john-all-the-difference-score-parts-ww5-copy","title":"Steinmetz, John % All the Difference (score \u0026 parts) - WW5 (PDF)","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eAll the Difference (2016) - PDF\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003efor woodwind quintet: flute, oboe, clarinet, horn, and bassoon\u003cbr\u003e\u003cspan\u003eby John Steinmetz (b.1951) American composer, bassoonist, writer, satirist, speaker\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003eI. Scribbles\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003eII. Taking Turns\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003eIII. Little Big Band\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003eIV. Each and Every\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eCommissioned by the Board of Regents of the University of Nebraska and the Glen Korff School of Music at the University of Nebraska-Lincoln for the Moran Woodwind Quintet.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis is the printed music.  You may also buy the PDF.\u003c\/p\u003e\n\u003cp\u003eFrom the composer:\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003eWhile composing this piece, I couldn't help hearing about violence, poverty, hatred, frightening climate change, and appalling political discourse. At the same time, societies around the world expanded social justice, diversity, inclusion, and ecological thinking. Maybe some of the feelings in this music were influenced by those goings-on. I know that the wind quintet's diversity of sound got connected in my mind with diversity in the world. All the Difference takes varied approaches to this diversity, but one underlying notion is that a group can get strongs by nurturing its members' individuality. During the piece the instruments relate in many ways: by joining, by alternating, by separating, by matching, by singing backup, by stepping into the spotlight. \u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003eThe 1st movement, \u003cem\u003eScribbles\u003c\/em\u003e, grew from an image of jerky lines scribbled on a piece of paper. The line divides into two jerky lines then divides again, until five lines are scribbling across the page. I composed scribbly musical lines- not quite melodies- that divide. Sometimes another kind of music interrupts, seeming to get emotional. \u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003eThe next two movements are both short, and the instruments all play together. \u003cem\u003eTaking Turns\u003c\/em\u003e sustains a chord, and one by one, players change their notes, shifting the chord and the feeling. In \u003cem\u003eLittle Big Band\u003c\/em\u003e the instruments play together in close harmony, like a barbershop quartet or big band.\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003eThe last movement, \u003cem\u003eEach and Every\u003c\/em\u003e, is the longest. I tried something I had been considering for a while: every instrument has a solo, each one with a different personality, and they also get together so that all the solos can play at the same time. I hope it will be fun to hear the personalities and their joining together. \u003c\/div\u003e\n\u003cp\u003eDuration: 16:00\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"TrevCo","offers":[{"title":"1817 - 73371","offer_id":67882023387203,"sku":"TCO 1817 Steinmetz, John WW5","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0222\/9574\/files\/PDFcover_a5843a68-67f0-4422-928e-3c054c996bfe.jpg?v=1793840537","url":"https:\/\/www.trevcomusic.com\/products\/steinmetz-john-all-the-difference-score-parts-ww5-copy","provider":"Trevco Music","version":"1.0","type":"link"}